Piano Trio in G minor, Op.17 (Schumann, Clara) - IMSLP.
The Piano Trio (piano, violin and cello) was one of the most important forms of chamber music from the late 18th to well into the 19th century. Composers in the Classical style, such as Mozart and Haydn, had established the form (Mozart Piano Trio in G Major - 1786) Beethoven and.
In 1839, Robert Schumann heralded the appearance of the D minor opus 49 piano trio of Felix Mendelssohn by naming it “the most masterly trio of the present era, just as, in their times, were the B-flat (Archduke) and D major (Ghost) trios of Beethoven and that of Schubert in E-flat major. It is a beautiful composition that years from now will delight our grandchildren and great-grandchildren.
In 1878, Clara Schumann was appointed as the piano tutor in Frankfurt-on-Main conservatory (Reich 164). She occupied this position for 14 years and made a great contribution to the technique of playing piano. She significantly reduced her performances shortly before getting the position of a professor in Frankfurt (Kopiez, Lehmann, and Klassen 67). As a result, the research provides evidences.
Clara Schumann's Piano Trio, op. 17 is one of her famous longer works. It's written for piano, violin and cello. Clara Schumann structured this piece as four successive sections, called It's.
The beautiful slow movement, with a lyrical theme for solo cello, was imitated later by Robert Schumann, Johannes Brahms, and other Romantic composers. This concerto and the Trio in G Minor have recently received several fine recordings, as have many of Clara's songs and solo piano works.
Vivaldi, Concerto in D minor, Op. 3 No. 11 Clara Wieck-Schumann, Piano Trio in G minor, Op. 17: movement 1 Berlioz, Symphonie Fantastique Music for Film Danny Elfman, Batman Returns Rachel Portman, The Duchess Bernard Herrmann, Psycho Popular Music and Jazz Courtney Pine, Back in the Day Kate Bush, Hounds of Love.
Chamber music: a listener's guide. Keller, James M., 1953-Approaching the tradition of chamber music with knowledge and passion, James Keller here serves as the often opinionated, always genial guide to 192 essential works by 56 composers, providing illuminating essays on what makes each piece distinctive and admirable. Keller spans the history of this intimate genre of music, from key works.